Mar 2, 2012

PUSSY BEARS DIARY 3-2-12

Today I’ve done nothing but eat Fruity Pebbles and watch Netflix. I’ve watched all the American Pie movies. I’ve even watched the ones that were straight to video. American Pie: Beta House was my favorite. There’s not one scene in that movie that even mentions going to class or studying. All they do is party. This movie made me want to join a frat. I know, I know, I’m female and I don’t go to college, but fuck it. I make my dreams come true---that’s what I do. I used to be a normal. Now I’m a bear. I’m really intense like that. I’m going to join a frat. And you can’t stop me. I’m going to join a frat and I’m going to party nonstop. Not tonight though. Tonight I’m going to watch the Rocky movies.  My favorite is the one where he hitchhikes to Alaska and fights the grizzly bear---and wins! I love Rocky. That guy’s so sexy I can barely stand it.

Mar 1, 2012

PUSSY BEAR'S DIARY---3/1/12

I’m a big girl. So what? That’s good. I like being big. And if any of you nerds don’t want a big fat bear ass sitting on your face, then I want nothing to do with you. I mean it.
Fuck Yoga. Fuck Zumba. Here’s the Pussy Bear diet.

Go out.
Drink something fancy.
Get drunk as hell.
Dance so hard that it scares people.
Go home and eat mint chocolate ice cream and watch Jersey Shore.

BAM. Now, that’s a recipe for sexy.

Feb 22, 2012

A Dog's Morning

by Warren Danbar
She moaned a bit and wiggled her legs. He placed his firm cock right at her entrance, tapping her clitt then easing it inside. She moaned. He gently rubbed her nipples as she awakened. His strokes got deeper as they both started to climax. That's when the dog got on the bed and started licking his ass. It was her dog so he really couldn't knock it off, plus he was holding himself up. The dog went to town, reaming his ass while they fucked. But that wasn't the strangest thing that happened that morning. No, right after they all came---cause he thought the dog came too---the alarms started going off. This was Phoenix. They didn't have the tornados like back home, or the earthquakes that Cali got. He stepped out on the balcony in all his glory. The sky was an ocher color and green fireballs were shooting down. It was like a scene of Biblical retribution. His first thought was he was glad he had just had sex. His second, of course, was what the hell was going on? That question would have to wait. She had put on her robe and stepped on the balcony. Confused they held each other for a second. A meteorite shot through his neck, severing his head and exploding hers. Their bodies crumpled on top of each other. His head fell to the ground still taking in the sight. His last visual of this world was his death-swollen erection penetrating her once again, and the dog as it started fucking him.

Feb 15, 2012

THE HORRIBLES, By Nathaniel Lambert

The Horribles is both dreamy and gruesome. It reminded me of Ray Bradbury’s, Something Wicked This Way Comes. But it’s not nearly as sappy and sentimental and it’s gorier than anything that Bradbury, that wonderful old man, had ever written.
The book is about a parade of demonic bikers that drive through a town called Poe’s Creek, killing all the adults and stealing its children. The only person who survives the massacre is Sheldon, an agoraphobic shut-in. His only friend is a boy named Evan, one of the abducted children.
The story is bleak and unsettling, but also fun as hell and filled with redemption. There this one point where Sheldon loses his shit and starts driving this motorcycle at a hundred miles per hour. I was used to Sheldon being meek and paranoid. He spends most of the book cowering and nearly paralyzed with terror. He moves so timidly. Seeing him move fast was so exciting. I got so hyped up by this scene, I started hopping up and down in my seat while reading it.
I loved this book.

Here is an interview with the author:

Justin Grimbol: What was it like creating a character like Sheldon? What was it like getting into the head of such a paranoid man?


Nathaniel Lambert: It wasn’t as hard as I thought it would be. I’ve always been fascinated with the ability of people to cope. Life, and all its atrocities, tries to tear us apart. We glue ourselves back together any way we can. It’s not a seamless patch job though. When the glue shows through, it manifests as eccentricities or downright craziness. In Sheldon’s case, his glue was agoraphobia. I’d like to think he proved to be quite the hero. Imagine having to tackle your own fears and the real monsters right outside your door.

JG: What inspired this book?

NL: I had a dream about a parade of half-machine monsters. It started out as a flash fiction piece and grew from there. At some point, I’d like to write a follow up to it.

JG: The cover of your book is amazing. Can you tell me about the cover artist?

NL: The artwork is by Brandon Duncan. He does all of the covers for GRINDHOUSE. Amazing dude. You give him a copy of the manuscript. He makes the perfect artwork for it.

JG: If your book was made into a movie, who would play Sheldon and what would the soundtrack be like?

NL: Sheldon would have to be played by a very awkward actor. Someone that isn’t very comfortable in their own skin. How about Mel Johnson Jr. from TOTAL RECALL? But only if he has a mutant arm coming out of his stomach. The soundtrack would be all classic blues. Haunting lyrics full of demons and ghosts. I have some lyrics from Robert Johnson’s ME AND THE DEVIL BLUES in the beginning of one of the chapters.

Early this mornin'
when you knocked upon my door
Early this mornin', ooh
when you knocked upon my door
And I said, "Hello, Satan,"
I believe it's time to go.

JG: If you could rewrite a Stephen King novel, and do whatever the fuck you want to it, which novel would you choose, and how you would change it?

NL: I’d rewrite my favorite novel(la) THE GIRL WHO LOVED TOM GORDON, but in my version Trisha McFarland would get chewed to greasy bits by the bear. And the bear would have lasers for eyes.

JG: What is the worst horror movie you have ever loved?

NL: Hands down the worst horror movie I ever loved is Larry Cohen’s THE STUFF. What a fucking delightful flick. Look, there’s some yogurt looking crap bubbling up from the ground. Let’s eat the shit out of it! The best part by far is when Garrett Morris’s head explodes. I must’ve watched it a hundred times. Classic “stuff”.

BEAUTIFUL EXIT WOUNDS

By Michael Allen Rose

Painting by Jon Kalish

Roy loved all things beautiful. He had the touch of Spring. Every morning he would wake up early, have a healthy breakfast of two raw eggs in a glass, three oranges, a dill pickle and a loaf of toast. He would go out into the world, full of joy and wonder, and Roy would make the flowers bloom.
When he would come across a young lady walking in the park, Roy would always doff his hat and say "How do you do?" Sometimes she would smile, blush, or giggle. Other times, the lady might simply ignore him, but Roy didn't mind. Regardless of how they responded, he would work his magic, and soon, beautiful tulips and daffodils would sprout up.
Roses would bloom from the backs of members of the clergy. Red and deep violet, blooming out from the spine and twisting vines up into the sun.
Children were daisies and posies. Exotic folks were often lilies and orchids. Roy loved watching the flowers bloom, one by one, seeds planted in an instant and flourishing in the final heartbeat.
He reloaded his semi-automatic with another clip and fired several rounds at a nearby group of children on the swings. As each one came forward in the swing, they would jump off and as they did, beautiful peonies exploded fully from their backs. They hit the ground, faces down, all in a neat little row. The bushes coming from them were thick and fragrant. Roy smiled.
The blood and bone that showed in front was always worth the beautiful garden that emerged from the back. Roy was doing his part to make the world more beautiful.
He felt around on his belt, making sure there was another magazine awaiting his green thumb. He had so much more gardening to tend to.

Michael Allen Rose is the author of Party Wolves In My Skull.

DOLLAR BIN MASSACRE!

Photo of Leza
Are you into movies? I recomend you check out The Dollar Bin Massacre. It's run by Bizarro Author's Garrett Cook and Leza Cantoral.
This week they have Spike Marlowe discuss her favorite Romantic Films. Spikes the author of Placenta of Love. It's a surreal and horrificllay lovely little book.  I can't wait to find out what kind of movies she likes.

Here's a story by Garrett Cook that is based on the photo of Leza.
The Poet in Treatment

“Heal me,” he said to the red clad novice sister at the door, “I am empty and lost and there’s no love left in my life.”
The novice shook her head.
“You are young and handsome, sir,” she said, “you have no need to be here.”
She was goldheaded and gentle, the opposite of what he’d been told of the sisters. He expected no compassion in the convent of Milk of Creation. The only good word he’d heard about them was of their loveliness, of which there was no equal. So it almost warmed his heart to be turned away.
“Milady,” said he, “I come here of my own free will. I have nothing to lose in life. And nothing to fear from you.”
She leaned toward him and whispered.
“It isn’t true. You’ve much to fear from me.”
All he feared from her was her sugarpale skin and the concern that she had shown. He had come here to be treated, not for her pity. Her pity was a jewel he didn’t want. Young, though he was, he felt too old to treasure that and too old to want things he didn’t come here for.
“Let me tell you why I’ve come to this place,” he said, and then he told her. Of his family gone too soon, of the first love that had taken ill, of the wife that had taken off, of the failure and the loss and the need to be whole again. She said the mantras against empathy, the mantras against love and the mantras against pity, but she was just a novice and by the end of his plea she was moved.
He had heard the sisters cried tears of blood, but this novice’s face was only salted. He put his hand on her shoulder, looked into her big wet eyes and he wished they had met sooner and they’d met somewhere else. Though her leather boots and corset made her seem tough, there was plenty of girl and not much nun in her.
The Mother Superior came to the door a blood drenched smile on her marble face. She placed one of her six hands on the poet’s shoulder and one on the novice sister’s.
“My darlings,” said Mother Superior, “Milk of Creation sees that the both of you suffer and the goddess brings aid to those who suffer. You will both get what you need.”
And Mother Superior was right. She and him would both get what they needed. Though at first the novice’s hands trembled and the cuts were not neat but jagged, she soon made neat ones and did not cringe away from the sight of his blood. As she slurped on the wounds, he felt like he could give again. He knew that he had given her a chance at salvation, a chance to never be hurt and never fear suffering again. As she took from him the life he could no longer stomach, he beheld the goddess herself. As the menstrual blood arms of Milk of Creation dragged his soul into her, an angel won her fangs.

..

Feb 14, 2012

Feb 13, 2012

HAPPY VALENTINES DAY!

 
I TOLD YOU I WOULD SHOW YOU SOME OF THE SWEETNESS.

PARTY WOLVES IN MY SKULL, BY MICHAEL ALLEN ROSE.

This book is nutty. It's reads like a cartoon. But it's crazier than most cartoons. This thing makes Ren And Stimpy seem mild mannered and dull. The story starts with a guy’s eyes popping out of his head. The eye balls are rebellious and run away. Then the Party Wolves move into his skull. I love The Party Wolves. They are a hilarious group of Pauly Shore style slackers. They’re really chill. Norman and the wolves go on a zany road trip to find his eye balls. While on the road they meet this girl who is being chased by an evil Walrus.
This book is super random, but in all the right ways. The story flows nicely. It’s surreal and captivating. It reminds me of Ralph Bakshi’s animated films, like Wizards and Cool World and all that awesomeness.
The best part of the book is the Motel Sick. Each room in this place is completely stange and impractical. There’s a room that’s constantly freezing and another that has nothing in it. There’s even a Potato Famine room.
I love road trips and I love weird, sleazy motels and I love sea mammals and I love this book. Reading it is like getting stoned and going to a carnival. It’s fucking fun.

Here's and interview with the author.

Justin Grimbol: The motel sick is crazy and wonderful. I loved reading about all the weird rooms. What is your favorite room in the motel sick?

Michael Allen Rose: Thanks! I had a lot of fun thinking up rooms for the Motel Sick. I wanted it to bring to mind those theme hotels that cater to lovesick couples looking for a little spice. You know, the jungle room, or the dungeon room, or whatever, only make the concepts more existential and absurd. I'm most partial to the "Empty Room," which is devoid of all things including walls, ceiling, floor, bed, etc. You have to actually have checked out before you check in. It seems like the kind of place I might come back to, in my writing, at some point. There's a lot of real-estate there to explore.

JG: Who is your favorite party wolf and why?

MAR: I love them all! It's hard to choose! I think in essence, they're all different parts of my personality. That multi-faceted thing has really been coming through in the book reviews I've been doing on the website (partywolves.com) I think, but even in the book, they're pretty distinct. I suppose if I had to choose one, it would probably be Cooter. He's the closest to me, in a lot of ways. He likes to try and stay positive and let shit roll off his shoulders when things go wrong, get everyone working together, and he's loyal to the end. Smitty is my libido.

JG: You also write plays and run a theatre. Can you tell us more about this?

MAR: That would be RoShamBo Theatre, yeah. I've been producing theatre and performance art for a couple of years now in Chicago under that banner, and it's been rewarding and challenging. We actually started getting a little reputation for being "the crazy naked theatre" since we ended up doing a few events in a row that involved nudity in some capacity. We were part of WBEZ (National Public Radio in Chicago) event where they were bringing professionals in to talk about the history of Chicago theatre, and we were one of a handful of groups brought in to add some entertaining interpretations of moments and themes in between panel discussions. Well, we put together a piece called "A Brief History of Nudity in Chicago Theatre" in which we did little blackout sketches based on real events from Chicago's theatre-rich past. None of the cast were actually nude, covered in body paint or cleverly place props, etc... it was all a satire kind of thing. The twist was, at the end of the piece, I was narrating from backstage, telling all these stories, and of course I come out butt-ass naked in front of 150 strangers that were there for this prestigious event. It was awesome. I guess it worked, because Emmy winning writer Joe Janes saw us that night and the next thing I knew, I was directing one of his "50 Plays Project" pieces for his festival. That one involved S&M dominas, a possessed ATM machine and 50 feet of rope mashed up with Butoh dance. So... this whole Bizarro thing fits right into what I do in my various other worlds. I did my grad school work in Playwriting, so there's a lot of crossover for me.

JG: Do you prefer writing plays or novels?

MAR: Honestly, it varies. These days, I'm much more interested in writing prose, novels, short stories, and the like. But sometimes an idea manifests itself that makes more sense as a performance piece. Or a play. Or a song. I also have an industrial experimental band called Flood Damage. Or sometimes I just want to get naked. This very week, I'm making my burlesque debut as a performer in the Hot And Heavy Productions tribute to Pink Floyd's The Wall. And yes, this particular piece involves me getting naked, yet again.

JG: Could party wolves ever be adapted for the stage?

MAR: I don't have the skills needed for this, but I see it as a cartoon. A lot of people have mentioned that Party Wolves in My Skull reads like a fun cartoon, and I can definitely see something like that being viable. Maybe someone out there wants to create a web-series? Haha.

JG: How did you discover Bizarro?

MAR: I had always been into surrealism and absurdist literature, and also have a wicked love of comedy. The first two books I discovered were based on purchase history, actually. Chris Genoa's FOOP came up because I was a Christopher Moore reader, and after enjoying House of Leaves I noticed that Carlton Mellick III's Satan Burger was showing up in my recommended page a lot. Those were my first two, and then Ocean of Lard followed shortly thereafter and I was hooked. When I contacted eraserhead press initially, I had been looking for a small press to take a look at my manuscript (a different book that hopefully will see the light someday) and although they passed, they were so nice, so encouraging, so professional and so wonderfully weird, I was absolutely hooked. Not only on the books, but on the people. I went to my first BizarroCon and haven't missed one since. It's such a wonderful, supportive, creative group of multi-talented artists. There's really nothing else like it.

JG:What is the worst movie you have ever loved?

MAR: Monkeybone, with Brendan Frasier. I bought it at Walmart for $5. It's funny, trashy, stupidly weird and involves a surreal version of hell, body-inhabiting monkeys and claymation style weirdness. What's not to love? Tell me, people? Why don't you love Monkeybone?

Feb 9, 2012

The Unfeeling Monster McThin

 

BY S.D. FOSTERS


Dick McThin was a model teenage citizen, composed of soft bone and sensitive tissue; so sensitive his ears would ring at the faintest hint of raised voices and his eyes well up at the sight of a three-legged cat. Such sorry sights and sounds were, however, rare in the neighborhood he was born and mostly grown in, a pansy-clad suburb where seldom was heard a menacing word and the slug lay down with the leaf.
***
But following the unforeseen flattening of McThin’s father, the primary wage earner, McThin’s mother was obliged to take up her son and move to a less-than-lovely locale, one inhabited chiefly by persons possessing smoking guns and cool consciences—but one where the rent was reasonable. Young McThin, in turn, was obliged to attend a high school whose pupils—the potty-mouthed progeny of unconscionable killers—deferred scholastic achievement in favor of bullying the thin and vulnerable.
The bullies had never seen a boy as vulnerable and thin as McThin.
Gleefully, they strung McThin out on a string of horrors, including plugging his nostrils with chewed bubblegum, forcing him to breathe through his mouth, then stuffing his mouth with used toilet tissue, forcing him to breathe through his ears; converting his bellybutton to a moderately sized ashtray for their foul-smelling cigarettes; tussling his precise parting, making his hair look silly.
McThin, as expected, didn’t fight back, having neither a liking for fighting nor a fighter’s physique. By the end of the school year, though, he was determined—for the sake of his airways, the scent of his stomach, the precision of his parting—to make his body a deterrent.
***
Over the summer break, McThin ate essential iron and pumped prize-winning pumpkins until his body was toned and tough, built like a piece of ship. Sailing back into school come September, he barely fit through the entrance.
The bullies took note.
But this breed of bully, it transpired, was no respecter of musculature. Indeed, the bullies seemed less deterred by McThin’s new physique than stimulated, his brawny chest presenting them with an enhanced surface area to pummel. And his rippling limbs were seen as potential weapons—for the bullies. Thus, as the bell rang one afternoon, concluding the school day, they stole his right arm, removing it at the shoulder, and scampered off. McThin later found it on his journey home, discarded in an alleyway, beaten and blue as if used as a bludgeon in some gang-related turf war.
How McThin wished he had the temperament to use his limbs like that! But his frontal lobes, source of a well-developed empathy for the would-be victims of his violence, were crippling. He placed the blame for this on his nurturing parents, both the flattened and unflattened, then felt exceedingly ashamed for blaming them, then blamed his shame, then shamed his blame, and on and on it went, until he was left with no choice but to sign his empathy’s death warrant.
***
But how could it be killed? Being a diligent student and studier of things in general, McThin knew that some experts attributed the demise of one’s empathy to prolonged exposure to onscreen scenes of bloody carnage.
Hence, McThin exposed himself. But, alas, after hour upon day upon week upon month of eviscerations and exploding heads, he felt such pain, agonising pain, for the chainsaw massacred and driller killed.
Nonetheless, there was still reason for optimism, as McThin was also aware that wo/men of cruelty often began their careers as children, harassing and assassinating helpless animals. My childhood’s gone, but I’m still young, he thought, and started right away, treading tentatively on puppy dog tails and chuckling callously at roadkill. I don’t care, he tried—tried—to lie to himself. But he felt so sorry. So guilty.
***
By then, his body battered and bruised by bullies to the point of bruising no more, he was desperate for results. And there was only one option left open. I’ll find a functional skewer. McThin aimed an accusing finger at his forehead. You’ll empathize no more.
When found, he propelled the skewer—a nail of liberal length—into the corner of one eye, and fiddled his frontal lobe, hoping against hope to finally affect an outlandish character shift. Once his fiddling had climaxed, he commenced to conduct unspeakable experiments.
***
With malice aforethought, he prodded the extruding eye-stalks of an unsuspecting snail. He missed the toilet bowl. He spat on an undeserving baby. And waited for the guilt… which never came.
At long last, McThin had a mind to match his monstrous muscles. Had progressed from victim to prospective victimizer. Had nothing left to fear. Or feel, period.
***
So if, perchance, you’re ill-fated to see the unfeeling monster McThin coming your way, find another way! Be advised: the world is his personal space. Invade it at your risk, knowing this: he’ll step on your toes, sneeze in your face, and quench his thirst with your blood. Without remorse.